{"id":303,"date":"2009-05-27T09:11:05","date_gmt":"2009-05-27T08:11:05","guid":{"rendered":"http:\/\/teatres.org\/bloc\/?p=303"},"modified":"2012-02-28T14:22:49","modified_gmt":"2012-02-28T12:22:49","slug":"tv-or-not-tv-en-el-festival-clown-de-campanar","status":"publish","type":"post","link":"http:\/\/teatres.org\/bloc\/tv-or-not-tv-en-el-festival-clown-de-campanar\/","title":{"rendered":"\u00abTV or not TV\u00bb al Festival Clown de Campanar, Val\u00e8ncia.\u00abTV or not TV\u00bb en el Festival Clown de Campanar, Valencia.\u00abTV or not TV\u00bb at the Clown Festival of Campanar, Valencia."},"content":{"rendered":"

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Dissabte, 4 de juliol de 2009. Teatre de Campanar (C\/ Mos\u00e9n Rausell, 34. Campanar, 46015. Val\u00e8ncia). Info: 963403105\/635154755. catarastrofeatro@elteatrodecampanar.com<\/a><\/p>\n

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TV or not TV <\/em><\/strong>\u00e9s un espectacle de clown teatral sense paraules, per a p\u00fablic jove i adult, en el que es presenta, d\u2019una manera c\u00f2mica, la relaci\u00f3 entre la pallassa i la televisi\u00f3, aix\u00ed com les seves reaccions davant un mitj\u00e0 de comunicaci\u00f3 que condiciona la nostra vida i que ja consideram quasi com un membre m\u00e9s de la fam\u00edlia.<\/p>\n

Aquest \u00e9s un espectacle que mostra la quotidiana hist\u00f2ria d\u2019amor\/odi, atracci\u00f3\/rebuix, entre les persones i aquest aparell additiu, sempre des de la visi\u00f3 innocent i c\u00f2mica, per\u00f2 tamb\u00e9 salvatge, d\u2019una pallassa. Ella seu a la seva butaca, en front del televisor, prem un boto del comandament a dist\u00e0ncia i\u2026<\/p>\n

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Saturday, July 4th 2009. Teatro de Campanar (C\/ Mos\u00e9n Rausell, 34. Campanar, 46015. Valencia). Info: 963403105\/635154755. catarastrofeatro@elteatrodecampanar.com<\/a><\/p>\n

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TV or not TV <\/em><\/strong>is a clown show aimed to teens and adults audiences. It is structured in a series of linked scenes with which we present, by means of comic situations, the relationship between the clown\u00a0 and television, as well as the reactions to a communication media that conditions our lives and it is almost considered as another member of our family. This show presents the day by day story of love\/hate, attraction\/aversion between people and this addictive apparel, always from a naive and comic point of view, and at the same time wild, of a clown.<\/p>\n

The clown sits in her armchair, in front of the TV, pushes a button on the command and\u2026<\/p>\n

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<\/object>\"\"<\/a><\/p>\n

S\u00e1bado, 4 de julio de 2009. Teatro de Campanar (C\/ Mos\u00e9n Rausell, 34. Campanar, 46015. Valencia). Info: 963403105\/635154755. catarastrofeatro@elteatrodecampanar.com<\/a><\/p>\n

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TV or not TV <\/em><\/strong>es un espect\u00e1culo de clown teatral sin palabras, para p\u00fablico joven y adulto, en el que se presenta, de una manera c\u00f3mica, la relaci\u00f3n entre la payasa y la televisi\u00f3n, as\u00ed como sus reacciones frente a un medio de comunicaci\u00f3n que condiciona nuestra vida y que ya consideramos casi como un miembro m\u00e1s de la familia.<\/p>\n

Este es un espect\u00e1culo que muestra la cotidiana historia d’amor\/odio, atracci\u00f3n\/rechazo, entre las personas y este aparato adictivo, siempre desde la visi\u00f3n inocente y c\u00f3mica, pero tambi\u00e9n salvaje, de una payasa. Ella se sienta en su butaca, frente al televisor, aprieta un bot\u00f3n del mando a distancia y…<\/p>\n

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<\/object><\/p>\n","protected":false},"excerpt":{"rendered":"

Dissabte, 4 de juliol de 2009. Teatre de Campanar (C\/ Mos\u00e9n Rausell, 34. Campanar, 46015. Val\u00e8ncia). Info: 963403105\/635154755. catarastrofeatro@elteatrodecampanar.com TV […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,1],"tags":[113,17],"class_list":["post-303","post","type-post","status-publish","format-standard","hentry","category-funciones","category-teatres","tag-funciones","tag-te-a-tres"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/teatres.org\/bloc\/wp-json\/wp\/v2\/posts\/303"}],"collection":[{"href":"http:\/\/teatres.org\/bloc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/teatres.org\/bloc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/teatres.org\/bloc\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/teatres.org\/bloc\/wp-json\/wp\/v2\/comments?post=303"}],"version-history":[{"count":12,"href":"http:\/\/teatres.org\/bloc\/wp-json\/wp\/v2\/posts\/303\/revisions"}],"predecessor-version":[{"id":775,"href":"http:\/\/teatres.org\/bloc\/wp-json\/wp\/v2\/posts\/303\/revisions\/775"}],"wp:attachment":[{"href":"http:\/\/teatres.org\/bloc\/wp-json\/wp\/v2\/media?parent=303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/teatres.org\/bloc\/wp-json\/wp\/v2\/categories?post=303"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/teatres.org\/bloc\/wp-json\/wp\/v2\/tags?post=303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}